dark electro

Music in Movies not on the Soundtrack (or “gaaaaah!”)

Posted on 17 August, 2008. Filed under: Dance music, dark electro, Electro, Electronic Music, Electronic Music Artists / DJs, Music, rave, Techno |

Don’t you HATE it when you’re watching a movie, you hear this awesome piece of music in the background of a scene, you start hyperventalating (cause it’s just so awesome), you immediately go and find the soundtrack to the movie, only to find the pièce de résistance of the whole soundtrack isn’t there?! Well, all I can say is “THANK GOODNESS FOR THE INTERNET”!

A couple of weeks ago I went and saw the new Batman movie – The Dark Knight. About half way through is a scene in a nightclub with some awesome dark electronic song in the background (total goosebump moment). Anyway, having learnt from my mistakes, I went straight to the internet and did a search for “club scene song Dark Knight Batman” and voila! Some gorgeous person had already discovered what it was and posted about it!

Finding a song you’ve been searching for for ages can be one of the most rewarding experiences – the moment the download clicks over to 100% and the sound of the song you’ve dedicated hours to searching for starts flowing through your speakers can be quite a tear-jerker (for this girl, anyway).

Fortunately, with the internet, we can start to benefit from other peoples tireless searches, and reap the benefits more quickly. Next time you get stuck on a song you’ve heard randomly in the background of a movie, have a quick squiz at ReelSoundtrack.com or google-it.

Track details: Boom Boom Satellites – Scatterin’ Monkey
Boom Boom Satellites – A Moment of Silence

If you like that, try: Crystal Method – Trip Like I Do

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Minor – the key to my heart

Posted on 16 May, 2007. Filed under: dark ambient, dark electro, dark progressive house, dark psytrance, darkcore, darkstep, darkwave, DnB, Drum&Bass, Drum'n'Bass, Electronic Music |

I adore minor keys. They’re not discordant or jarring. They’re just… more melancholy? Darker?

I’ve been trying to quantify what it is that gets me about them. I studied music for almost a decade, but I still can’t say exactly what it is. So (as per usual) I went snooping around the net looking for someone else to say it for me.

“In the German theory by or derived from Hugo Riemann, the minor mode is considered the inverse of the major mode, an upside down major scale based on (theoretical) undertones rather than (actual) overtones (harmonics).
Minor scales are sometimes said to have a more interesting, possibly sadder sound than plain major scales. The minor mode, with its variable sixth and seventh degrees, offers nine notes, in C: C-D-Eflat-F-G-Aflat-A-Bflat-B, over the major mode’s seven, in C: C-D-E-F-G-A-B. The interval strength, or lowest possible location in the harmonic series, and thus consonance and “stability”, of minor triads is less than that of major, which interprets major as more “stable”, a major triad being found in the 4th, 5th, and 6th harmonics of a pitch, while the minor being the 10th, 12th, and 15th. This may explain the Picardy third, the use of a major tonic chord at the very end of a composition in minor, since it would be more stable and thus conclusive.”

Yes, couldn’t have put it better myself!

I will make one generalisation though. The majority of dark-genre songs (ie. dark drum’n’bass, dark breakbeat etc) are based on minor keys. The majority of happy or uplifting genre songs are based on major keys.

I’ll find some and show you soon!

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