Archive for January, 2009

Enveloping Insanity – Hard Hop Tricked Out

Posted on 29 January, 2009. Filed under: beats, Breakbeat, breakbeat hardcore, breaks, broken beat, Dance music, Electronic Music, Hardcore, Music, rave, rave music, Techno |

I was lieing in bed, listening to my iRiver, one of my favourite songs came on and I just HAD to get up and post about it.

I think I’ve written about this song/style before – if I haven’t, I’ve most certainly meant to!

If you like heavy, broken beats, the feeling of utterly absorbing insanity but with a driving rhythm, you NEED the Wizard of Oh’s mix of  Bronco by Tanith.

If you like Tipper (his old rave-ey stuff) you’ll LARV this.

I start listening to this song and the rhythm just gets me straight away. Then there’s a couple of synthy space sounds, the vocal sample and then… *shudder* the deep crumply whiney run and then… *holds breath* the drop in to the main body of the song.

The sound literally pours in to your ears, runs down the back of your throat, down your spine and makes the hair on your arms and legs stand on end.

I’m going to have to post about this style (and this specific album) again soon.
Though right now I’m going to get back in bed, let my eyes water and roll with it.

Track details: Tanith – Bronco (Wizard of Oh Mix)

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Dance the new Pop?

Posted on 26 January, 2009. Filed under: Dance music, DnB, Drum&Bass, Drum'n'Bass, Electro, Electronic Music, Electronic Music Artists / DJs, Electronic Music Genres, electropop, Music, Music Genre, synthpop |

Today I listened to Triple J’s Hottest 100 – basically an Australian radio show where they play the top 10 “alternative”  songs of the previous year as voted by the public.

Previously, the top 100 was predominately rock and alternative – it was the staple alternative to mainstream commercial radio.

This year, not only were a large number of songs in the top 100 pop, but a large portion of them were electropop or some variation of electro/hip-hop.

For examply, artists that featured (sometimes multiple times) in the top 25 included Cut Copy (electropop), The Presets (technopop), Pnau (electronic/pop), The Herd (electro/hip hop).

Why does there appear to be such an increase in the mainstream/commercial appearance of electronic artists? Have artists like Pendulum and Fat Boy Slim crossed a divide?

Or has the separation between the worlds of commercial and electronic music just been a figment of my imagination? Maybe I’m harboring some sort of elitist ideals when it comes to electronic music and the commercial tainting of it.

Hmmmm – maybe I need to work on that…

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